Kinga Tóth (1983, Sárvár, Hungary) writes and publishes poems, fiction, and drama pieces in Hungarian, German and English. She is a musician, extensive vocalist, visual and sound-poet, translator, Shape artist and has presented her work in performances, exhibitions, and international installations, such as MANIFESTA 11 Zürich; Palais de Tokyo Paris, CROWD; OFF Biennale; Wechselstorm Galerie; Off-Gallery and Akademie Schloss Solitude. She is also a philologist and a teacher and has worked as a journalist and copy editor of art magazines and as a cultural program organizer. Tóth’s international publications include the poetry collections PARTY, All Machine, Village 0-24, Wir bauen eine Stadt, and the visual-art catalogues Textbilder and Flugschrift. Her novel, The Moonlight Faces, won the Hazai Attila and the Best Novel Special prize in Hungary. With the English and German manuscripts of the book, she joined the International Writing Program at Iowa, the LCB, GEDOK, and the Bosch program in Germany. Recently she is the city writer of Graz and later in the Switzerland. Her work has been published internationally in many magazines and journals including Solitude Art Yearbook, Stuttgart and Europoe antology, Heimat antology, Die Welt ist nicht erfunden, Huellkurven, tapin2, Colony, POETRY, Lyrikline, Wretched Stranger antology, Arkansas International, Nazis and Goldmund discussion and Stadtsprachen, Words without Borders. Next to her art work she gives lectures and workshops and is a member of many international art- and literature organisations. 2020 she won the Hugo Ball Förderpreis for her intermedia-performative literary work.